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Enter either a width or height, the image will maintain the correct aspect ratio.
You may select any custom size in between but you will be charged for the next size up.
Canvas prints come in 3 different styles
Our most popular option. Unframed canvas keeps the focus on the image for a modern gallery look.
Canvas appears to float within a plain black frame. The image stands off the wall at a depth of 2" inches
Canvas is carefully framed with the molding of your choice to support your aesthetic.
Archival paper, printed with high definition ink placed under glass, giving your giclée print a modern gallery look.
Aluminum prints come in 3 different styles
A minimalist, aluminum standoff creates the impression of wall sculpture with a weightless feel.
An elevated, aluminum platform is layered over an elegant mitered frame.
Vibrant aluminum appears to float within a modern, black wood frame. The image stands off the wall at a depth of 2⅞ inches.
Acrylic prints come in 2 different styles
Sleek acrylic glass is supported by simple, brushed aluminum standoffs and invisible hanging mounts.
Sparkling acrylic glass appears to float within an easy-to-hang frame.
By printing fine art photography onto mirror we have transformed it into something extraordinary
A staunch presentation, beautifully presented on thick half-inch birchwood, fashioned with everlasting UV-curable inks.
**Please note if the image has white in it, the white area will show up clear on the aluminum and birchwood options, exposing the color of the material beneath.
View all of Juliette Milesi's work.
Eugène Grasset (May 25, 1845-October 23, 1917) was a popular decorative artist working in Paris at the height of the Belle Epoque, and is considered an innovative force in the development of art nouveau aesthetics and graphic design. Grasset was a teacher at the Ecole Guérin, a famous Parisian school of design. Between 1896 and 1899, Grasset published a book in two volumes entitled La Plante et ses applications ornementales, which consisted of a series of 72 color plate lithographs. These prints, each with a detailed rendering of a flower or plant, were made by Grasset’s students (many of whom went on to earn a name for themselves in the world of art) based on his own watercolors. Thistle II by Juliette Milesi is one such rendering. This kind of collaboration between a master and his students has a rich history throughout art, and has produced some of the finest work known today. The botanical prints from Grasset’s book, signed by artists such as Maurice Pillard Verneuil and Anna Martin in addition to Milesi, are stunning exemplars of the preeminence of the art nouveau movement in the history of art and design.
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